鄭琬蒨 Wan-Chien, Cheng
2024 寄聲之廟 An Inner Temple Built By Sound
用聲音建構出一個沒有邊界的空間，也許是無形的，也許超脫了原有的建築體，從實際擁有的廟宇聽覺體驗，想像出一個虛構的、單純用聲音打造出來的廟。
如果信仰對於人們來說，雖然看不見，卻深信不疑，是否就如同對於我們三個來說，
在聲音的世界裡，沒有真實的形體，卻仍舊令我 們深信不疑且著迷。
寄生 v.s 寄聲
廟宇在現今環境當中所生存的樣貌，對應聲音之於我們，或許也是一種信仰，然而這樣的信仰在資訊快速流動和變遷的同時，如何將其保留。時代的快速變遷，又將如何改變我們的發聲方式，會不會在一切產出和代謝如此不同的時代，我們也蓋起了心中的寄聲之廟。
Online album
Sounds construct a boundaryless space, which may be invisible, even transcend the existence of architecture. Based on the experience of hearing, to imagine a fictional temple, which is created purely by sound.
Belief is invisible, but it is deeply rooted in people's hearts,
For the three of us, there is no real body in the world of sound, but it still makes us convinced and fascinated.
“萬物皆有靈” (track 1, 3, 5, 7)四段田野錄音分別來自劉芳一與鄭琬蒨，值得聆聽的聲音與神聖性存在於萬事萬物。
“聲音建構的廟宇”、“遶境”、“信仰進入生活” (track 2, 4, 6) 三首曲子皆運用了即興演奏錄音與田野錄音為材料，分別由劉芳一、薛詠之、鄭琬蒨作曲。
Four field recordings from Fangyi Liu, Wan-Chien Cheng
The three pieces were composed by each of the three artists using recordings of improvisations and field recordings:
Fangyi Liu“A Temple built by sound” (track 2)
Yoshi, Yung-Chih Hsueh“ Rào Jìng (Pilgrimage)” (track 4)
Wan-Chien Cheng“Belief comes into life” (track 6)
Mastered by Nigel Brown
Cover art by Tang Lokto
